The shoot must go on!

December 19th, 2011

Today was a shoot for the Collectif ASOS online marketplace, with the lovely SINderella Rockafella.  One of the Collectif stores is located in Camden Stables Market, a really exciting buzzing place with all sorts of niche shops and eateries, and with plenty of potential locations within a hundred yards.   Entering the store for the first time I was taken aback to be greeted by a dramatically larger than life version of a picnic image I had shot a while ago with Natasha Olrog and Poppy Scarlet.

 

Collectif's store in Camden Stables Market
Collectif’s store in Camden Stables Market

Our plan was to find an uncluttered outdoor location to shoot a number of outfits…but what had not been factored in was the weather.  It was bitterly cold, and no sooner had the shoot started than so did a steady drizzle!  Fortunately SINderella was able to change in the store changing room, and was primped by Nicole Grzywok (who spent her time outside holding a brolly over SINderella, or myself!)

Behind the scenes
Nicole pinnning a brooch on SINderella

Nicole had earmarked as back-up, an area protected from the elements, but by the time the shoot got underway this was like rush hour on the tube…so we ended up outside, away from the crowds. Despite the soul-sapping bitter cold, a very, very chilly SINderella posed as if it were the height of summer (the images are not quite large enough to see her goose-pimples!).  You can see below how well she did.

You would never know it was raining…although at each outfit change I was having to remove water droplets from the lens!   And if you want to see the entire shoot, you can check out the great outfits  on the Collectif ASOS site

SINderella modelling Collectif

SINderella modelling Collectif

 

 

Star in a Vintage / Pin-up Shoot in Brighton

December 17th, 2011

Next month I will be down to Brighton again, and will be shooting pin-up and retro in the Hotel Pelirocco on Saturday 28th January.  Last year’s shoot with the lovely Acid Doll made the cover of Milkcow Vintage magazine.   For this shoot I am delighted to say The Vanity Box will also be attending,  looking after hair and makeup.

VintageBrighton.com has a feature on their blog about the forthcoming shoot,  but in essence you have the chance of featuring in the shoot.  If you are interested, you will need to email the studio, on info@retrophotostudio.co.uk, attaching between two and five images (each file no bigger than 200K please!).  You will also need to advise on your mobile contact number.

The lucky winner or winners will be advised by mid January.

Food, glorious food…

December 15th, 2011

Food photography – the art that conceals art

It seems deceptively simple , ‘just a picture of food’, yet there is a lot more going on ‘behind the scenes’ that poses interesting challenges for the photographer.

The brief is invariably to make the food look appetising, and that is a real team effort.

As a minimum, aside from the photographer, shoots invariably involve a food stylist, who is responsible for cooking the food and preparing it for the camera.

It used to be acceptable to cheat by using non-edible addatives, like varnish.  These days what you see should be the real food.

Take a look at this hamburger image.  Before any serious shooting took place a ‘dummy’ burger was positioned so I could set up the various lights and reflectors and judge depth of field, shadow detail etc.

Then the food stylist got busy; initially she cooked a dozen burgers, picking the best looking as her ‘hero’ to star in our picture.  However this was not quite a perfect specimen, so she used a scalpel to remove slivers of meat from the other burgers to fill in the slight irregularities in the surface.  Next she carefully cut a half dozen buns – and picked the one the had the cleanest cut edge with no crumble.

The same care now went into the assembly of the burger…specially chosen lettuce leaves were coaxed into position with tweezers.  The tomato slices were similarly painstakingly positioned, and a few tiny water droplets added to their skin just prior to shooting to enhance their ‘succulence’.

Next the chips were built up behind the burger, adding a chip here and there, repositioning, until the composition looked just right.  Test shots were being taken all along so the finished effect could be judged.

So in this ‘simple’ shot you are looking at over two hours work from food stylist, photographer…and in this instance a chef from the theme park plus a marketing manager!  And you would not believe the heated debate that took place over the positioning of a single chip, and whether the lettuce was in exactly the right position!

Oh, and if you are wondering about the where the technical information is about shooting food…I will leave that for another blog entry…just to keep you coming back!

Lili La Scala performing in Southend

December 15th, 2011

What a pleasant surprise to open the local paper yesterday to find a half page portrait from a recent shoot I had done with the lovely Lili La Scala.   You can see more on my work on her website.   It was an even bigger surprise to turn on the TV in the evening just in time to enjoy husband Sam, A.K.A The Boy with Tape on his Face, on stage at the Royal Variety Show.  If you get the chance to see The Boy with Tape on his Face jump at it – really, really funny.

Sam has previously been to the studio shooting publicity shots involving him hammering long nails up his nose (not one to try at home!).  It was a somewhat surreal experience going through the proof images on screen with Sam standing beside me, still with a six inch nail sticking out of his nose!

 

 

 

Milkcow Vintage calendar for 2012 is now available

December 6th, 2011

 

 

If you love fifties, hot-rods, rockabilly or tattoos…or any combination of these, then you are sure to love Milkcow Vintage magazine.  They have just brought out their 2012 calendar.  In their own words it is a collection of the best Pin Up photographs that accentuate the glamour, beauty and radiance of the 1940s and 1950s captured on film by the best of todays photographers.

 

I am delighted and honoured that Milkcow selected my image of the gorgeous Ilse Harlotte to grace the cover.

Inside, along with Ilse,  you can enjoy other shoots of mine:   Solene Percher at fifties diner Bobby Joe’s in Southend,  Fae Raven on location with a custom car, and Julietta La Doll and Lily Tiger,  whom I photographed in Berlin.

Head over to Milkcow to order your copy today!

Foxy Burlesque

December 6th, 2011
Some while ago the very lovely Laura ‘Foxy’ Lawton visited the studio for a burlesque photoshoot.  Amongst other accomplishments Laura runs a very successful Burlesque school near Tunbridge Wells.
From my discussions with numerous burlesque artists, both beginners and full time professionals, burlesque is a great way to give girls confidence.  It is an art form that does not rely on shape, size or age.  Not surprisingly it is rapidly growing in popularity.
Anyway, this preable is by way of showing you a flier below from TN4 Bar featuring Laura shaking her ostrich feathers!
Rocky Horror Party

A new year – a new calendar

December 6th, 2011

Over the past few years it has been my privilege to work with fetish and pin-up model Rayna Terror a number of times.  She has just produced a very limited edition 2012 calendar with some amazing photos.  She has chosen three images from our shoots together along with images from a host of talented photographers.

As a special favour she has allowed me to give you a sneak peek at August!

Rayna Terror calendar

I understand they are selling well, so if you want to be assured of your personal copy of what is bound to become a collector’s item, head over to Rayna’s store now.

How do I become a model?  Part 2

October 31st, 2011

Promoting your portfolio

In the last part I gave tips on assembling a high quality portfolio.

The next step is to get yourself known and get some experience. There are quite a number of online sites for models and photographers. They are mostly free to join and give you a place to showcase your portfolio, add specific information about genres of shoot you are interested in, your location, whether you are willing to travel to shoots etc

Pick yourself a modelling name and keep to the name across any of the sites you join.

My personal favourite sites are Model Mayhem, Net Model and Purestorm.  Generally your portfolio will be assessed and will need to be approved before it goes live. Take care selecting the correct genres when joining – one model I sent to the sites was amazed at how much response she got as soon as her profile went live “and every photographer wanted to do nude shoots” she had accidentally selected ‘art nude’!

Initially you will want to gain experience and confidence, so browse photographers in your area; if you find a style you like, check out the feedback on their portfolio and if all looks promising, drop the photographer a message asking if they would be interested in a shoot.

Don’t expect to be paid for the first few shoots as you are seeking experience and more images to diversify your portfolio.  Such shoots are often called TF or Tfcd or TFP. This means “Time For (CD/prints)”. It means you provide your time for free, and the photographer “pays” by way of an agreed number of images, either as prints, on CD or web files.

Checklist before booking a Photoshoot

Does the photographer have a studio or is it in his house?
Can you bring along a chaperone? (may be a sensible precaution if the studio is in a house)
Is there somewhere private you can change?
How many pictures you will get, and will they be retouched?
What will be timescale between shoot and getting the pictures?
What will you be allowed to do with the pictures?
Will there be hair and makeup artist?

Getting your images widely seen is relatively easy these days.  A good way is to create a modelling page on Facebook, but make sure you add that link to your profile on all the modelling sites too for maximum exposure.

Spelling, punctuation and grammar may not be your strong points – if this sounds like you then please get friends to carefully read what you are putting on your various profiles…it is a small point but it could make the difference between someone taking the time to browse your images, or just moving on to the next model.

Model Mayhem allows you to add comments (tags) to other model and photographer profiles, and also to comment on individual pictures.  Find pictures  or profiles you admire and add some positive feedback – most will reciprocate. The bonus is that anyone coming across your comment can click through to your profile, and the more comments there are on your images the more widely they are being viewed.  You can even solicit for comments on the front page of the site (there are always plenty of people wanting to swap comments with you there)

A word about copyright, tear sheets and credits…

The copyright or “ownership” of any image automatically is the property of the photographer. Even if you pay for a shoot and pay for retouches, unless you have specifically arranged in advance that you will be paying for the copyright to be assigned to you ( and expect to pay considerably more for acquiring that asset), the copyright and therefore control of how the image may be used/published remains with the photographer. This means you do not have the right to use images for everything and anything.   So if you are arranging to shoot with a photographer and want to offer the images to a magazine, for example, make sure you discuss this in advance!   Photographers are generally very happy to work with you, provided their work is not being edited without permission and they and their studio are given full credit.

Photographers are frequently in a better position to secure publication of images from a shoot. You will therefore usually be asked to sign a Model Release form – this is a standard document that shows the magazine that you have consented to your image being published.  It is hugely beneficial to being able to put on your profile that you are a published model. Try to get hold of a copy of the publication, so you can add the “tear sheet” to your profile.

As your experience grows, and you have a few tear sheets to show, you will attract higher profile photographers and will get to the point where you will be able to start charging for your time!  however it is a good idea to have a flexible approach. If you have the opportunity to work with a very experienced photographer, more experienced than you are in modelling, you may be better to work for free…or even pay towards the overheads of the shoot.  You stand to gain far more from the shoot than he does, in terms of experience, exposure and status.  On the other hand, if a novice photographer, with an unproven track record, wants to work with you, it is fair to expect him to pay you, as he will gain more – you may not end up with images you would wish to have on your portfolio!

Creativity

October 21st, 2011

I’ve been musing lately on experience, creativity and artwork. This relates to photography and post production, although I suppose could be applied to painting or drawing.

Back in the days before digital a friend invited me to come to a studio shoot, and bring my camera. Having only used an on-camera flash, the ability to construct a lighting set-up was a revelation. Afterwards, fired with enthusiasm, I acquired several additional small flashguns, some photocell triggers and a rather basic flash meter. For the first time I was able to control the relative strengths of my light sources in my makeshift home studio. My backdrop was a cine screen and I started taking portrait shots – of course, because these were only small portable flashes I had no way, apart from the meter, to predict how the images would turn out…and there was the seemingly interminable wait between sending off my reel of film and the prints dropping through the letter box.

I was so proud of these first results – mounting them in an album showing them to all and sundry. They were perfect – the best I’d ever achieved. Except – I happened to show them to one friend, also a keen photographer, and he’d worked taking portraits professionally. He admired them, then asked if I’d seen the distracting double shadows…and several other shortcomings. It seemed so obvious – those flaws suddenly jumped out at me each time I viewed them. I realised I had a way to go to produce better work. It taught me to be more observant and much more self-critical. That album is at the back of a drawer at home, gathering dust.

Spectrum of Artistic Endeavour
It made me realise that we are all on a spectrum of artistic endeavour – no matter how good we think our work may be, if we are honest and open to improvement, we can always discover work by others that will be significantly better than our own, yet this should not be something not to demoralise us, but to inspire us to do better.  If you can call on a more accomplished photographer to critique your efforts that can make a huge difference. With so many photography and art forums online it is easier to find a constructively critical audience – develop a thick skin, ask for feedback, then weigh up the comments. Art is subjective, so you must decide valid points and those that may stem from lack of understanding of the image.

My work from a couple of years back looks relatively primitive compared to my current output, and I am hoping that if I can keep finding more accomplished photographers to inspire me, in a couple more years I will be saying the same about current work!

The key to improvement is to remember you are on that spectrum of artistic endeavour…there are always photographers producing work you can aspire to. If you cease to be open to criticism, whether self-criticism or that of peers, your work will remain at its present standard.

Ok, any photographers care to give their thoughts on here.

Pictures for my website…

October 21st, 2011

You’ve decided to make the jump from selling products to friends and relatives to selling online. You have negotiated the minefield of finding a web host and someone to build your site.

Lets assume you are going to sell dresses. Unlike a bricks-&-mortar store, prospective customers cannot feel the fabric, or try on your dresses. Obviously an accurate description for each item is essential. However I would argue that the most important aspect of the site will be your images (would you buy a dress online just from a description, however detailed?)

Your options are to shoot the images yourself, or get a photo enthusiast friend to help out. Or you can involve a professional photographer – such as me!  There are benefits and drawbacks to each option…so I’ve laid out some of the key issues to help you make an informed choice.

Speed

Once you have decided to move forward with your site you will need the pictures as soon as possible.

Not only should you shoot an overall view, but take time to ensure you have detail shots covering the important features. If you shoot the images yourself make sure you have somewhere to shoot where the background won’t take the viewers focus from the main item. Do you have suitable models? Studios such as mine have dedicated backdrops and registers of models.

Presentation is important too – don’t lose sight of the main subject – the dress and not the model! A creased dress, or a models arm obscuring key detailing on the dress will not help sales! It is common to find a pose that shows off a dress gives rise to an unwanted bulge or wrinkle elsewhere – a pro photographer will be very observant of such issues and will correct them in post-production.

Colour accuracy, contrast, vibrancy…
How precisely is your colour rendition set on your camera and computer? Ensure each image has accurate colouring requires specialist hardware and software so that no inadvertent colour casts will affect the final image. One of my good friends showing me their website , on a public computer a while back – every image had a reddish. He was puzzled as the images looked fine on his own computer. I brought up his site on my studio computer and the same cast was still very evident. His personal monitor had not been calibrated, and was showing images more blue than neutral so he was colour correcting so images looked fine on his machine. Unfortunately they then looked wrong on the rest of the world’s screens!

Consistency
This is where a pro photographer will really help you – it is relatively easy for anyone to take a clear sharp image. A pro will deliver the same colour, sharpness and vibrancy for a number of items, over more than one shoot.

I’ve seen sites where the photographer has over-exposed images by mistake …then attempted to rescue the results in post-production. unfortunately flat contrast and imprecise colours is not the way to guarantee higher sales!

Expense
Taking images yourself will be you cheapest approach – until you factor in that top quality images may significantly increase sales. (would you rather buy from a site that has a DIY feel to it, or one that looks professional?).

Once you factor in the benefits that professional images bring to your site the outlay is surprisingly modest – for example, it can cost as little as £20 an hour for shooting at Retro Photostudio, and competed images at only £4.50 each (reducing for quantity retouching). These are just to give a guide – should you have a specific job in mind do get in touch so I can quote you the most cost effective way to tackle it.